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A space grasped by the body is sensual. “While peripheral vision integrates us with the space, focused vision pushes us out of the space and makes us a mere spectator. I lend my feelings and associations to space, and space lends me its aura, which seduces and liberates my perceptions and thoughts” (The Eyes of the Skin by Juhani Pallasmaa). The work named Column includes a relational connection, different from the column that contains a verticality between two planes and the carrier that does not fulfill its function in spatial terms. Column, standing in the space, is surrounded by its own environment, the floor it carries and the floor it steps on. The spaces of the Column are the theme of a kind of peripheral vision. The cavities of this enclosure, which can be read as a spiritual theme, is the case of Column creating its own space.
Column, 2017, Wood, 282x10x10
Fragments of the artwork "Column"
Untitled I, II, III, 2017
Pallet, 2019, Wood, 129x80x14
Untitled, 2019, Wood, 251x150x100
Exhibition: "BASE 2019", Akaretler, Istanbul
Hacettepe University, Faculty of Science Department of Mathematics entrance
Maybe everything started with this and existed along the history of mankind as an important problem of mathematics. Although can be seen as a problem of mathematics, it will continue to exist in every place where humankind interact with, both ratio- nally and irrationally.
1+1, 2019, Granite
The threshold is the boundary of the approach of the two spaces, as in the approach of the two surfaces. It has knowledge of two spaces in the range it stands, so it is an area that separates and unites the two spaces. This work is addressed through a threshold image. A space is a threshold that does not belong to a door but directly belongs to the floor. The formal gap in the work is a form of time, a reflection of time, and describes the contact.
Biography of the Ground, 2019, Marble, 150x30x30
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